CONGRESS PROGRAMME
17 – 19 Oct 2022 – Brussels and Antwerp, Belgium
Registrations
Welcome and official opening
Gerald Lidstone, ENCATC President, Director of the Institute for Creative and Cultural Entrepreneurship (ICCE), Goldsmiths, University of London, UK
Opening Remarks
GiannaLia Cogliandro Beyens, ENCATC Secretary General
Ernesto Renato Ottone Ramirez, Assistant Director-General for Culture of UNESCO
Barbara Gessler, Head of Unit at Creative Europe, Directorate-General for Education, Youth, Sport and Culture of the European Commission
GiannaLia Cogliandro Beyens
ENCATC Secretary General
Ernesto Ottone Ramirez
Assistant Director-General for Culture of UNESCO
Keynote: The challenges and opportunities of internationalization
Introduction to the keynote:
Richard Maloney, ENCATC Vice President, Director of the Performing Arts Administration graduate program, Steinhardt School, New York University (USA)
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Keynote Speaker:
Bernd Fesel, Interim Chief Executive Officer of EIT Culture & Creativity
Coffee Break
Panel session in response to the Keynote
Panel session chair:
Gerald Lidstone, ENCATC President, Director of the Institute for Creative and Cultural Entrepreneurship (ICCE), Goldsmiths, University of London, UK
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Panelists:
Elke Kaschl-Mohni, Director of the Goethe Institut Brussels, Belgium
Catarina Vaz-Pinto, Former Deputy Mayor for Culture of the Lisbon City Council, Independent Arts and Culture Professional, Portugal
Ignasi Guardans, Co-founder, Chair and CEO of Culture & Media Agency Europe, Belgium
Gaia Danese, Cultural Diplomacy Advisor at European External Action Service of the European Commission
Lunch and Transport by bus from Brussels to Antwerp
PARALLEL SESSIONS
Education and Research Sessions in parallel with the Young and Emerging Researchers' Forum (see below)
6 thematic tracks for the Education and Research sessions:
- General track: Internationalization of cultural management and policy
- The Role Cultural networks in Cultural Management
- International and local practices in cultural tourism: the role of cultural and creative organizations
- Cultural Management and Policy Education
- Sustainable business models for cultural and creative sectors
- Is data used by policymakers?
Session 1, 2, 3, 4 and 5 of the Education and Research Sessions
Session 1: Sustainable business models for cultural and creative sectors
Chair: Walter van Andel
Room: Elsschot Room
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Abstract. Disruptive Innovation and Cultural Heritage – Case Lusto. By Susanne Ådahl and Maria Bäck, Arcada University of Applied Sciences
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Abstract. The Effects of Program Innovation on Organizational Sustainability: A Case Study of Artura.org and Brandywine Workshop and Archives. By Julie Goodman, Brea Heidelberg, and Neville Vakharia, Drexel University
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Teaching demo. Online course development: Sustainable value creation in the cultural sector. By Kristiina Brusila-Meltovaara, Olga Bogdanova, Juha Iso-Aho and Pekka Vartiainen, LAB University of Applied Sciences
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Abstract. The Arts and Social Enterprise in a post-pandemic world. By Rose Ginther, MacEwan University
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Session 2: General track: Internationalization of cultural management and policy
Chair: Daniel Green
Room: Prentenkabinet
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Abstract. Arts Management as a Function in Collective Creative Practices. By Aleksandar Brkic, Goldsmiths, University of London
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Abstract. Evaluating art-based active learning methodologies for innovating academic curricula in the field of cultural heritage. Insights from a European project. By Mara Cerquetti and Concetta Ferrara, University of Macerata
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Abstract. The Social Impact Commitment of Cultural Organizations. By Flora Maravalhas, University of Lisbon
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Teaching demo. Hands-on with The Next Evolution of Cultural Management: Museum Masterclasses in Virtual Reality. By Laura-Edythe Coleman and Heather McLaughlin, Arts Administration & Museum Leadership Program at Drexel University’s Westphal College of Media Arts & Design
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Session 3: The Role of Cultural networks in Cultural Management
Chair: Ann-Sofie Köping Olsson
Room: Scaldis Room
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Abstract. Managing Crises as Normal: Using Cultural Networks and Community Sensibilities Versus a Rational, Centralized Approach. By Leah Hamilton and Josh Austin, University of Kentucky, USA
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Abstract. The cultural network as an identity binder- the case of the Creative Hubs Network. By Matina Magkou, University Côte d'Azur
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Abstract. Cultural Networks toward sustainability? Green initiatives in Copenhagen and Milan. By Ginevra Addis, Università Cattolica,UCSC, Milan, Italy, and Malene Vest Hansen, University of Copenhagen
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Abstract. The future of museums: extinction or rebirth? Decorated white cubes vs. cross-media trails. By Martina Germano and Michele Trimarchi, Tools for Culture
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Session 4: International and local practices in cultural tourism: the role of cultural and creative organizations
Chair: Elena Borin
Room: Tassis Room
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Abstract. Perspectives on the Role of Culture and Creativity in Destination Governance. By Julian Philipp and Harald Pechlaner, Catholic University of Eichstätt-Ingolstadt
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Abstract. Post-pandemic cultural tourism: a reflection on managerial and governance implications for cultural heritage organizations. By Elena Borin and Fabio Donato, Link Campus University
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Abstract. Music festivals, local cultural ecosystems, and sustainability values. By Marcin Poprawski, Adam Mickiewicz University in Poznan, Poland // HUMAK University of Applied Sciences, Finland
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Abstract. Circular models applied to UX design in tourism: A framework to support Cultural and Creative Industries in sustainable innovation processes. By Valentina Volpi, Link Campus University
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Session 5: Cultural Management and Policy Education
Chair: Kaari Kiitsak-Prikk
Room: Gresham Room
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Abstract. Training for creative work: towards a metamorphosis of the training offer of higher artistic and creative education establishments.
An experiment at the Institut National Supérieur d'Enseignement Artistique Marseille Méditerranée (INSEAMM). By Cassandra Haller, Djelloul Arezki and Edina Soldo, Aix-Marseille Université
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Abstract. On the 'stage' of pandemic times. When Cultural Organizations and Universities 'valorize' their collaborations. By Angela Besana, Annamaria Esposito, Chiara Fisichella and Cristina Vannini, IULM University
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Abstract. A university chair to develop inclusive management mechanisms in the cultural and creative industries. By Djelloul Arezki and Edina Soldo, Aix Marseille University
Session 6, 7, 8, 9 and 10 of the Education and Research Sessions
Session 6: Arts Management, Cultural Policy, & the African Diaspora
Chair: Antonio C. Cuyler
Room: Scaldis Room
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Panel. Arts Management, Cultural Policy, & the African Diaspora. With Antonio C. Cuyler, University of Michigan, Brea Heidelberg, Drexel University, and Terron Banner, Ohio State University
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Session 7: Is data used by policymakers?
Chair: João Leiva
Room: Gresham Room
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Abstract. Navigating between the potential of data and the quest for impact and value of culture and creativity. Experiences in a decade and a half of mapping the Dutch Creative Industries. By Paul Rutten, Rotterdam University of Applied Sciences, and Walter Mansen, NEO Observatory
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Abstract. Economic analyses of the arts, cultural and creative industries, cultural heritage and cultural tourism and the influence of Covid-19 in Bulgaria. By Diana Andreeva – Popyordanova, Observatory of Cultural Economics/UNWE, Sofia
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Session 8: International and local practices in cultural tourism: the role of cultural and creative organizations
Chair: Mara Cerquetti
Room: Elsschot Room
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Abstract. Sense of presence, emotion and customer loyalty in virtual reality tourism. An exploratory study of the interactive experience of the “The Garden of Earthly Delights” by Hieronymus Bosch. By Anna Scuttari and Veronica Freni, Munich University of Applied Sciences
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Teaching demo. O-City Learn: An open and free learning resource for creating competences in the Orange Economy. By Valentina Volpi, Link Campus University, José Marín-Roig Ramón, Mª Asunción Pérez Pascual and Mª José Canet Subiela, Universitat Politècnica de València (UPV)
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Abstract. The Role of Traditional Performing Arts Organizations in Tourism: Balancing Diversification and Transmission of Development and Traditions. By Seiko Shimura, Soai University
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Session 9: General track: Internationalization of cultural management and policy
Chair: Chieh Hsiang Wu
Room: Tassis Room
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Abstract. Stories to share: Storytelling as a tool for heritage management. By Pekka Vartiainen, Humak UAS Finland
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Abstract. CCIs and innovation International Contrast. By Cristina Ortega Nuere and Isabel Verdet Peris, 3walks
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Abstract. Cultural Policies - Similarities and Differences between Two European Management Models; French and Croatian Approaches. By Nansi Ivanišević, Prokultura - Observatory of Cultural policies
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Session 10: General track: Internationalization of cultural management and policy
Chair: Douglas DeNatale
Room: Pretenkabinet
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Abstract. Learning from pandemic times: Sharing tools and techniques for the future digital educational environment. By Carla Figueira and Nuria Cortes, Goldsmiths College
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Abstract. Cultural policy and gender: A glance at the continuing neglect of (historical) women composers. By Claudia Chibici-Revneanu, ENES, UNAM, Unidad León, Mexico
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Abstract. Video Case Studies in Online Teaching. Insights from an international study programme. By Marguerite Rumpf, Goethe-Institut, and Christian Holst, Leuphana-University
Young and Emerging Researchers' Forum
Chaired by Richard Maloney, ENCATC Vice President, Director of the Performing Arts Administration Programme, NYU, United States
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14:30 - 15:00 KEYNOTE: Building an international research career – Opportunities and challenges for young researchers
Milena Dragićević Šešić, Professor Emeritus, University of Arts, Belgrade, Serbia
Followed by Q&A
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15:00 - 16:15 Session I. PhD Presentations
Rebeca Alfonso Romero, Sorbonne Université
Pekka Saarikorpi, Hanken School of Economics
Jean-Paul Lawson, CY Cergy Paris University - University of Warwick
Ali Rooyin, University of Tehran
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Responded by
Leticia Labaronne, Head of Center for Arts Management at ZHAW Zurich University of Applied Sciences, Switzerland
Cristina Ortega Nuere, ENCATC Book Series co-editor, 3Walks, Spain
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16:15 - 16:25 Coffee break
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16:25 - 17:00 Session II. Reaching an international audience via academic writing
Panelists:
Terry Clague, Senior publisher at Routledge, United Kingdom
Rebecca Smith, Partnership Journal Development Manager at Frontiers, United Kingdom
Followed by Q&A
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17:00 - 18:00 Session III. PhD presentations
2022 ENCATC Research Award finalists
Jana Konstantinova, École Polytechnique Fédérale de Lausanne, Switzerland
Kathrin Schmidt, Goldsmiths, University of London, UK
YouYou Yu, Peking University, China
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Responded by
Marcin Poprawski, Researcher and lecturer at HUMAK University of Applied Sciences, Finland; and AMU University in Poznan, Poland
Aleksandar Brkić, Scholar and Lecturer at Goldsmiths University of London, producer and arts manager, United Kingdom
Announcement of the agreement with Frontiers for the EJCMP
ENCATC Research Award Ceremony
19:00 - 19:15 Welcome and opening remarks
Gerald Lidstone, ENCATC President, Director of the Institute for Creative and Cultural Entrepreneurship (ICCE), Goldsmiths, University of London, UK
Annick Schramme, Professor at the University of Antwerp and the Antwerp Management School, Belgium
Herman van Goethem, Rector / Vice Chancellor of the University of Antwerp, Belgium
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19:15 - 19:40
Introduction to the finalists by Jaime Alberto Ruiz Gutiérrez, member of the Research Award International Jury, Professor, Universidad de los Andes, Colombia
Jana Konstantinova, École Polytechnique Fédérale de Lausanne, Switzerland
Kathrin Schmidt, Goldsmiths, University of London, UK
YouYou Yu, Peking University, China
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19:45 - 20:00 Announcement of the winner by
Catherine Magnant, Deputy to the Director and Head of the Cultural Policies department in the European Commission, Directorate General for Education and Culture
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Closing remarks by
GiannaLia Cogliandro Beyens, ENCATC Secretary General
Networking Cocktail
Welcome and short introduction of the day
GiannaLia Cogliandro Beyens, ENCATC Secretary General
Mentoring in education in the cultural and creative sector: an international perspective
Chair:
Ian King, Visiting professor at Istituto Marangoni and at Parsons School of Design, United Kingdom
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Panelists:
Kai Kiiv, international relations specialist and project manager of the REMAM project, Estonia
Kaari Kiitsak-Prikk, Chief Coordinator of the Department of Musicology, Music Pedagogy and Cultural Management, Head of Cultural Management Studies at the Estonian Academy of Music and Theatre, Lecturer, Estonia
Ieva Zemīte, Director of the MA study program “Creative Industries and Growth Management” of the Latvian Academy of Culture and Riga Technical University, Latvia
Nathalie Verboven, Assistant for the Master in Cultural Management at the University of Antwerp, Belgium
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Reactions and perspectives from the USA:
Dan Green, Professor/Director of the Master of Entertainment Industry Management program, Carnegie Mellon University: Pittsburgh, PA and Los Angeles, CA, USA
Coffee Break
Global Conversation
Decolonising and diversifying internationalisation: from theory to practice
Welcome
Gerald Lidstone, ENCATC President, Director of the Institute for Creative and Cultural Entrepreneurship (ICCE), Goldsmiths, University of London, UK
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Opening Remarks
Toru Morikawa, H.E. Ambassador, Executive Director, Asia Europe Foundation (ASEF), Singapore
Tiffany Bourgeois, Assistant Professor of Arts Management at Ohio State University, United States
Chieh-Hsiang WU, President of TAPCS, Department of Arts at National Changhua University of Education, Taiwan
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Introduction to the Global conversation
Alan Salzenstein, Professor/Director, Performing Arts Management/Arts Leadership, DePaul University, United States
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Panel session chair:
Antonio Cuyler, Professor of Music in Entrepreneurship & Leadership in the School of Music, Theatre & Dance at the University of Michigan, United States
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Panelists:
Maria de Fátima Lambert, Coordinating Professor, Escola Superior de Educação Politécnico, Porto, Portugal
Jaime Ruiz-Gutiérrez, Associate Professor, Arts Management, School of Management, Universidad de Los Andes, Colombia
Debate with the audience
Alan Salzenstein, Professor/Director, Performing Arts Management/Arts Leadership, DePaul University, United States
Lunch
From data to evidence-based cultural policies: policy actions, research perspective and practical experiences in international cultural cooperation
Co-Chairs:
João Leiva, Director at JLeiva Cultura & Esporte, Brazil and MPhil/PhD Creative & Cultural Entrepreneurship, Goldsmiths, University of London, UK
Dea Vidović, ENCATC Vice President, Director of Kultura Nova Foundation, Croatia
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Panelists:
Valentina Riccardi, Head of Culture at Asia-Europe Foundation, Singapore
Gabriele Rosana, Policy Director, Culture Action Europe, Belgium
Caterina Mauri, Policy analyst at Joint Research Center, European Commission, Italy
Lilian Grootswagers, Advisory Board President, Future for Religious Heritage, Belgium
Solène Marié, International analyst, Researcher and Project Manager in culture and science, France
Coffee Break
Resources for collaborative and sustainable practices supporting the international dimension of research in digital times
Introduction and animation:
GiannaLia Cogliandro Beyens, ENCATC Secretary General
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Speakers:
Mariachiara Esposito, Policy Officer DG EAC, Belgium
Lluis Bonet, Professor, University of Barcelona, Spain
Birthday dinner - ENCATC turns 30 in 2022!
19:30 - 20:00 Welcome cocktail
20:00 - 20:30 Opening speeches
Gerald Lidstone, ENCATC President, Director of the Institute for Creative and Cultural Entrepreneurship (ICCE), Goldsmiths, University of London, UK
Delphine Houba, Alderwoman of Culture, Tourism, Big Events and Municipal Equipment, City of Brussels, Belgium
Paul Dujardin, Chief Project Director 50/200, KMKH-MRAH | Jubelpark - Cinquantenaire European Site for Culture & Science, Belgium
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Introduction to the programme of the evening and animation:
GiannaLia Cogliandro Beyens, ENCATC Secretary General
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20:30 - 23:00 Dinner, celebrations, commemorations and cultural programme
Study Visits and ENCATC Members Talks
Study Visit 1 - Royal Museum for Central Africa
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ENCATC Members Talk 1: Removing the colonial lens: the push to decolonize museums
Introduction to the topic:
Louise Haxthausen, UNESCO Representative to the European Union and Director of the UNESCO Liaison Office in Brussels, Belgium
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Chair:
Anne Krebs, Head of the Socio-Economic Studies and Research Division, Louvre Museum's Research and Collection Department, France
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Panelists:
Julien Volper, Scholar and Curator at AfricaMuseum (MRAC), Belgium
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Study Visit 2 - MigratieMuseumMigration
Welcome to the museum and short visit
Johan Leman, Member of the board and co-founder of the MigratieMuseumMigration (MMM), em. Prof. at KU Leuven, Belgium
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ENCATC Members Talk 2: International cultural relations in challenging times
Introduction to the topic
Liliana Țuroiu, Director of the Romanian Cultural Institute in Brussels, Belgium
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Chair:
Carla Figueira, Director of the MA in Cultural Policy, Relations and Diplomacy and of the MA in Tourism and Cultural Policy, Institute for Creative and Cultural Entrepreneurship, Goldsmiths, University of London, United Kingdom
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Panelists:
Allegra Iafrate, Cultural Attaché at the Italian Ministry of Foreign Affairs, Director of the Istituto Italiano di Cultura in Brussels, Belgium
Andrew Manning, Director at EUNIC, Belgium
Monica Urian, Policy officer at the European Commission, Belgium
Silke Pillinger, Director Arts EU, British Council, United Kingdom
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SPOTLIGHT UKRAINE
Tetiana Biletska, Deputy Director – VET, Reform Support Team at the Ministry of Education and Science of Ukraine
Vladyslav Berkovski, Executive Director of the Ukrainian Cultural Foundation, Ukraine
Nataliia Kernytska, International Cooperation Department, Ukrainian Cultural Foundation
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Study Visit 3 – Holland House in Brussels
ENCATC Members Talk 3: Artists and Transnational Cooperation: Sustainable Practices and Policy
Welcome to the Holland House and short visit by
Yelena Kharitonova, Founder of Caravan Cultura CreArt Agency and Consultancy, Belgium and The Netherlands
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Introduction to the topic:
Claire Giraud-Labalte, Art and cultural heritage historian, France
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Conversation animation:
Anne-Sophie V. Radermecker, Research Associate and Lecturer, FRS-FNRS - Université Libre de Bruxelles (Cultural Management/Art History), Belgium
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Panelists:
Catalina Jitaru-Potorac, Fashion designer and owner of Catalina J, Belgium
Yelena Kharitonova, Founder of Caravan Cultura CreArt Agency and Consultancy, Belgium
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Rapporteur:
Gabrielle Bernoville, Policy Assistant in the Creative Europe Unit at the Directorate-General for Education, Youth, Sport and Culture (DG EAC) of the European Commission
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Workshop – Archive and Museum of Flemish Life in Brussels (AMVB)
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ENCATC Members Talk 4: Professional skills and Training curricula design. Learnings from the CHARTER project and the digital strategy of the AMVB museum
Discussion animated by
Lluís Bonet, Coordinator of the EU project CHARTER, University of Barcelona, Spain
Jacqueline van Leeuwen, Facilitator and designer of learning environments, Flemish Institution for Cultural Heritage (FARO), Belgium
Herman Bashiron Mendolicchio, CHARTER Project Manager, University of Barcelona, Spain
Lunch
The Art of Teaching - Lighting Round Presentations
Chair:
Alan Salzenstein, Director of the Performing Arts Management program, School of Music, and the MFA/Arts Leadership program, The Theatre School, DePaul University, United States
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Digital Storytelling and Design Thinking as art-based active learning methodologies in the heritage sector. UniMC experience from a European project, Mara Cerquetti, Professor, University of Macerata, Italy
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Building innovative competences on evaluation of projects, Alessandra Gariboldi, President at Fondazione Fitzcarraldo, Italy
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To teach the teachers: cultural heritage: A new practice of intergrating cultural heritage, tradicional knowledge and skills into primary school lessons, Nataša Ülen, Conservation Architecht, Public Institute of the Republic of Slovenia for the Protection of Cultural Heritage – IPCHS
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15:20 - 15:30 Questions session with the public animated by
Michal Lázňovský, Head of department of Theatre management at Academy of Performing Arts in Prague, Theatre Faculty, Czech Republic
Coffee Break
Policy Debate
How to make internationalisation greener? Young generation perspectives and recommendations for more sustainable transnational cooperation
Introduction and animation:
Herman Bashiron Mendolicchio, Faculty and Coordinator of the Postgraduate Course on International Cultural Cooperation, University of Barcelona, Spain
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Panelists:
Catherine Magnant, Deputy to the Director and Head of the Cultural Policies department in the European Commission, Directorate General for Education and Culture
Walter Zampieri, Head of Culture at EACEA
Antigoni Michael, 7 Most Endangered Programme Coordinator at Europa Nostra, Belgium
Ziad Erraiss, Policy and Project Officer at Global Cultural Relations, Belgium
Elise Phamgia, General Coordinator at Liveurope, Belgium
End of Congress